“Red is not a color, it is an emotion in motion. It speaks before form, before words, before reason. It exists in tension, between warmth and danger, love and control. To design with red is to design with pulse.”
Red Study explores the emotional intelligence of color through minimalist composition and portrait direction. The series captures the duality of red, its ability to embody both intimacy and intensity, both human warmth and conceptual control.
Each frame balances geometry and expression. The portraits are structured, yet soft. The objects, though still, carry rhythm. The color becomes the narrative itself, dictating energy, guiding focus, and shaping perception before context appears.
